More than two years ago, I spent the extra money to buy Geek Squad Protection with the camera from Best Buy. At the time it was expensive, the camera along with the protection and tax was north of 3800 USD. You might ask, "Why Best Buy?" It was because of their Geek Squad Protection. I was told by my peers that they received full value camera replacements for their camera repairs. I didn't know how it was going to work out, how effective or what not, but it was time for me to find out.
I had a weekend long job in SF where I was traveling throughout the city and as well as along Highway 1 to capture photos. During the first night, I dropped my camera (d810), prism first, onto carpeted ground. It actually fell out of my bag.
It shot fine, but what I didn't know was that it killed something internally that I was unable to trigger anything flash related on the camera. That includes PC sync, hot shoe and built in flash. My extended trip plan was quickly cut short when I was called to fly back to LA for another shoot the next right after the end of the weekend job. Between flying red eye, prep, and shoot the next morning, I didn't figure out nor realize the fault with the camera body.
In 1971, Nikon made a resign of their 105mm manual lens. That same lens formula has been used for the next few decades to create several more lenses with progressively better coating and ergonomics. I recently bought the 105mm 2.5 AIS off of Craigslist on a whim. I've always heard about how amazingly sharp this lens is along with how much historical value it holds though I've never tried one myself. Being a skeptic, I tested the lens in the studio. To my amazement, it exceeded every expectation I had.
I love using prime lenses. When given the choice, I will always choose carrying a bag of prime lenses than 1 or 2 super zooms. In an article for In-My-Bag.com from a while ago, I wrote about the kit I take with me usually with few prime lenses. My equipment have shifted around a bit, but I still focus on owning less and having them do more. For portraits and general head shots, I find using the 85mm to be very pleasurable. It gives me no distortion and offers me a good working distance from the subject, not too close and not too far away. The natural thought for us working photographers is to get the fastest version (most expensive) of the lens. For the 85mm, the price and the weight difference was significant. I can buy 3 1.8G for the price of 1 1.4G, and it is much heavier than the 1.8G counterpart.